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TOP 20: TAYLOR TIME
A record that's breaking records (4/24a)
VMAs BEAMING BACK
TO THE BIG APPLE
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THE COUNT: ALL THE DESERT'S A STAGE
Jon Wayne is rolling over in his grave. (4/24a)
 A CHORUS OF PRAISE: IVORS 2024 NOMS
Action across the pond (4/24a)
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The full Monte (4/24a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
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TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Critics' Choice
WHERE THERE'S A WILL, THERE'S A WAY
7/16/15

Rolling Stone restored some of the rock cred it had lost as a result of that Kim Kardashian cover when Rolling Stone Country posted the audio and backstory of indie country artist Will Hoge’s “Still a Southern Man,” which is off the charts in every way—politically, emotionally and musically.

The track is not on Hoge’s latest LP, Small Town Dreams (Cumberland Records), which came out in April. He wrote it, Joseph Hudak writes, as the debate over flying the Confederate battle flag reached fever pitch in the wake of the June 17 massacre in Charleston, which compelled him to work through his own conflict in the studio. Recorded in a single night at venerable RCA Studio A in Nashville, the song, Hudak points out, is a ferocious bit of rock & roll, pushed along by slashing guitars and Hoge's defiant vocal. "There's an old flag waving overhead/and I used to think it meant one thing," he sings. “Now I know it's just a hammer driving nails in the coffin of a long dead land.”

You’ve gotta hear this song.