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SPRING BREAKOUTS: THESE HEATERS ARE STILL HOT
Who's Boomin who. (4/25a)
SONG REVENUE: “SWEET” SMELLS OF SUCCESS
Life after "Church" (4/25a)
THE COUNT: ALL THE DESERT'S A STAGE
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THE ODDS ON TUCKER WETMORE
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GONE COUNTRY: HOUSE LIPMAN INVESTS IN WESTERN WEAR
The full Monte (4/25a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Critics' Choice
A QUICK ONE
7/3/18

By Simon Glickman

The Quick were a great unsung power pop band who sprang, as did I, from the smoggy, sprawling, sun-drenched San Fernando Valley. Formed by guitarist Steven Hufsteter and drummer Danny Benair (who'd go on to The Cruzados and The Weirdos/The Three O'Clock, respectively), the group added singer Danny Wilde (later of The Rembrandts), bassist Ian Ainsworth and keyboardist Billy Bizeau and inked a deal with Mercury. Their 1976 debut album, Mondo Deco (now reissued via Mercury/UMe/Real Gone Music), is a monument to tight hooks, tasty riffs, cool harmonies and that lovely musical space where power pop, new wave and glam meet. The set, produced by Kim Fowley and Earle Mankey, kicks off with a frenetic cover of The Beatles' "It Won't Be Long," and is followed by a suite of groovy originals ("No No Girl," "Hillary" and "Anybody" among the highlights) as well as a handful of demo versions. While the band didn't last, it's great news that this reissue can continue inspiring pop-leaning guitar bands, many of which have convened or will be convening soon at the International Pop Overthrow festival (go here for L.A. schedule). Expect more than a few nods to The Quick during that confab.