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NEAR TRUTHS: KINGDOMS
File under: The enemy of my enemy is my friend. (3/26a)
ONE SHINING HITS LIST
She shoots, she scores! (3/26a)
YTD MARKET SHARE
Zeroing in on the elite teams (3/27a)
BEST IN THE WEST:
STEVE BERMAN
High time for another Eminem skit (3/26a)
MUSIC REVENUE TOPPED $17B IN 2023: RIAA
Streaming subscriptions lead the charge. (3/27a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
THE B-SIDE
Starley (Epic)
3/14/17

WHAT IT IS: This Australian artist’s breakout hit, “Call On Me,” is a record that was initially crafted to be a symbol of hope for herself during a low point in her life. The song serves as an appealing introduction to the singer/songwriter, as her potent sound proves to be a mix of warm indie folk and dynamic dance pop. Her affecting melodies, emotionally resonant lyrics and soulful voice make each song sound intimate and vital. “Call On Me” is resonating with fans around the world, having racked up north of 220m Spotify streams (between the original acoustic-driven version and Melbourne DJ Ryan Riback’s remix) by the start of 2017.
SINGLE: “Call On Me”
TV: GMA performance on 2/27; Today 3/10, Kimmel 4/4
LIVE: Upcoming tour with Zara Larsson and Clean Bandit 3/31-5/2
RADIO: Impacted Hot AC and Rhythm on 11/21/16; impacted Top 40 on 1/9
PRESS: Perez Hilton (“This is one of the best songs of 2016”), TheMusic.Com (“After carving up music charts around the world, it was really just a matter of time before Starley would make her U.S. TV debut and the singer has done just that”)
BOOKING: Marty Diamond/Paradigm
MANAGEMENT: Elissa Felman