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NEAR TRUTHS: SPRING BLOOMS
Here come the big guns. (3/28a)
THE COUNT: COLDPLAY IS HOT, COUNTRY'S COOKIN' IN THE U.K.
The latest tidbits from the bustling live sector (3/28a)
CITY OF HOPE TAPS MARCIANO FOR TOP HONOR
This year's philanthropic model (3/28a)
TRUST IN THE TOP 20
Hip-hop is no longer hibernating. (3/28a)
UMG BROADENS SPOTIFY OFFERINGS
Sir Lucian and Daniel are in harmony. (3/28a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Blighty Beat
U.K. ACTS DOWN 45% AT EURO FESTS
8/9/22

British acts have experienced a 45% drop in European festival bookings post-Brexit, according to analysis by campaign group, Best for Britain.

The study looked at the line-ups for three major European festivals—Benicassim, Sziget and Lollapalooza—in 2017 to 2019 and compared the number of British acts booked with those on the bill for the 2022 editions.

The sobering stats show how the U.K. Government’s “dud Brexit deal” is robbing emerging British talent of opportunities abroad, Best for Britain CEO Naomi Smith said.

Challenges associated with British acts playing overseas post-Brexit have been well-documented and include costly bureaucracy and delays at border checks. These issues are reportedly disproportionately impacting new acts, who are losing out on the common practice of securing last-minute vacancies in a festival line-up.

Chief Executive of the Incorporated Society of Musicians and U.K. Trade and Business Commissioner Deborah Annetts said: “Whoever ends up replacing Boris Johnson must commit to removing this needless bureaucracy which is stifling the prosperity and creativity of the next generation of British musicians.”