OH, TANNENBAUM! ANOTHER GREAT CAREER HITS THE SKIDS
Another talented journalist trapped in the career cul de sac (5/17a)
THE COUNT: LIVE NATION TAPS TYLER, POST, BLINK FOR TOP U.S. FESTS
Cornering the market on surefire headliners (5/17a)
STAPLETON, WILSON BIG WINNERS AT THE ACMs
A genre mash-up at the home of the Cowboys (5/17a)
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THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
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Interview by Holly Gleason
It was three or four days into the protests surrounding George Floyd, Breonna Taylor ;and Ahmaud Arbery when Kane Brown knew what he needed to do. The RCA Nashville star saw the pain and divisiveness fueling the unrest, he heard the arguments, and it so happened that he’d already come up with a song that met these issues head on—not with bitterness but with the hard-earned belief that change is possible.