rumor mail
HITS LIST: TIME OF THE SEASON
The temperature's rising, it isn't surprising. (6/24a)
YOUR SIZZLING SUMMERTIME PHOTO GALLERY
Connecting the faces with the boldfaces. (6/22a)
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THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
INDIE DISTRIBUTION'S RISE TO GLORY
The discovery engine is revving higher.
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ABRAMS JOINS SWIFT AT WEMBLEYMusic City
THE ACMS: MOSTLY LIVE
AND REALLY REAL
AND REALLY REAL
9/18/20
By Holly Gleason
It should’ve been April. It should’ve been Las Vegas. It should’ve been a live audience. It should’ve been a lot of things. But when the 55th Academy of Country Music Awards actually hit the airwaves, the sheer relief of finally getting the music moving was palpable.
A lot went into making the first mostly live awards show work. RAC Clark, Raj Kapoor and Glenn Weiss—alongside recently installed ACM chief Damon Whiteside—figured out a quick cut, three-location, green-screen extravaganza that celebrated The Grand Ole Opry, the teeny songwriter room The Bluebird Café and the Opry’s original home, The Ryman Auditorium.
Index
posted 6/25/24
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posted 6/20/24
posted 6/19/24
posted 6/18/24
posted 6/18/24
posted 6/13/24
posted 6/13/24
posted 6/11/24
