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NEAR TRUTHS:
HOWDY, PARTNER
Redrawing the Mason-Dixon Line (5/23a)
A SHINY TOP 20
Ladies' choice (5/23a)
SONG REVENUE: TRIAD
They're in the money. (5/23a)
APPLE MUSIC’S BEST 100 ALBUMS SPURS DEBATE
Let's agree to disagree. (5/23a)
THE COUNT: UPPING THE HEADLINER ANTE
The latest action from the live sector (5/22a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
THE B-SIDE
Kassi Ashton (MCA Nashville/Interscope)
2/3/22

WHAT IT IS: Newcomer Kassi Ashton is bringing a whole new attitude to country music. The California, Mo., native touched down with a string of critically acclaimed tracks released by UMG Nashville in conjunction with Interscope, including her introductory autobiographical release, “California, Missouri,” which drew raves from American Songwriter, CMT, People, Sounds Like Nashville, The Boot, Taste of Country and more. The singer/songwriter grew up listening to legendary female country artists like Loretta Lynn, Dolly Parton, Patsy Cline and Reba McEntire. Now, she’s defying convention with her own signature style of confessional storytelling that highlights her soulfully rich vocals on songs like “Heavyweight,” “Hopeless,” and “Violins.” This newcomer has a stage presence that commands attention and has already proven herself as a magnetic force in country music.
SINGLE: “Dates in Pickup Trucks”
RADIO: Impacting Country on 2/28
PRESS: Rolling Stone (“a devilish songwriter who isn’t afraid to flip convention on its head”), Refinery29 (“She blends pop aesthetics with a presence doused in no-fucks-left-to-give authenticity”), PAPER (“the next big country superstar),
BOOKING: WME
PUBLISHING: Creative Nation
MANAGEMENT:
Creative Nation